CW GENOCIDE, and also a detailed discussion of a sex scene. Skip from 6:00 to 56:45 to skip Secrets of the Soul.

We're joined by Richard Kreutz-Landry @rkreutzlandry! Lightbulb tweetstorm here.

Descent into Midnight: @DIMrpg

Secrets of the Soul: In which we discuss tentacle-to-glowing-ball ratios, telepath power creep, nurses in adverse working conditions (pak'ma'ra and telekinetic), telepath ORGIES and the least sexy sexposition ever, and some very questionable infosec policies. And then Ana murders Jude. And then they talk about the sex scene some more. Zathras suffered.

A dramatic revelation about the director ensues.

Day of the Dead:

Written by Neil Gaiman?!? Jude agrees with Lochley, exactly once. G'Kar is rendered temporarily homeless by magical realism. For that matter, everyone gets visited by ghosts from their past. A crispy critter comes back to visit, making exactly zero people happy--Morden is upgraded from low-rent John Travolta to evil John Mulaney. Richard comes up with the dead-ex Ghostbusters corollary. Jude gets quite angry about the "humor". Much discussion of what could have been done with the Reebo and Zooty airtime instead. Jude politely requests "G'Kar/Picard on Risa" fics.

Zooty zoot zoot!

Connect with the show at @babylonpodject

Help us keep the lights on via our Patreon!

Justen can be found at @justenwrites

Ana can be found at @The_Mianaai, and also made our show art.

Both Ana and Justen can also be found on The Compleat Discography, a Discworld re-read podcast.

Jude Vais can be found at @eremiticjude. His other work can be found at Athrabeth - a Tolkien Podcast and at Garbage of the Five Rings.

"The Voice" of the Babylon Podject is provided by Alyson Grauer, who can be found at @dreamstobecome

Clips from the original show remain copyrighted by Warner Bros, Inc. and are used under the Fair Use doctrine.

Music attribution:

The Descent by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/4490-the-descent
License: http://creativecommons.org/licenses/by/4.0/

This show is edited and produced by Aaron Olson, who can be found at @urizenxvii

In which Jude has strong opinions about seated meditation, the implications of stuffing 5 years of plot into 4 years and ending up with less-than-enlightened centrism and n*zis, vigilante justice by way of diplomatic immunity, real-live free-range criminals as training dummies, and the problems implicit in hiring your ex to captain the space station you currently use as your seat of power for an interstellar alliance. Bester returns to his favorite corpsicle mall for fresh telepaths, Garibaldi exudes more sleaze-oil than the annual production of OPEC, and we ask an important question: does JMS actually want us to like Lochley?

Also, so much coffee talk.

Sponsor us, Onyx Coffee.

Connect with the show at @babylonpodject

Help us keep the lights on via our Patreon!

Justen can be found at @justenwrites

Ana can be found at @The_Mianaai, and also made our show art.

Both Ana and Justen can also be found on The Compleat Discography, a Discworld re-read podcast.

Jude Vais can be found at @eremiticjude. His other work can be found at Athrabeth - a Tolkien Podcast and at Garbage of the Five Rings.

"The Voice" of the Babylon Podject is provided by Alyson Grauer, who can be found at @dreamstobecome

Clips from the original show remain copyrighted by Warner Bros, Inc. and are used under the Fair Use doctrine.

Music attribution:

The Descent by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/4490-the-descent
License: http://creativecommons.org/licenses/by/4.0/

This show is edited and produced by Aaron Olson, who can be found at @urizenxvii

What do Hamlet, Animal Crackers, The West Wing, and the best Star Trek series (don't @ justen) have in common? This week's BabPod episode!

In "The Paragon of Animals" we have principles, war crimes, telepaths, and Garibaldi owning up to his disreputability, while in "A View from the Gallery" Jude dunks on SOMEONE for not knowing how to pronounce Ares, Justen has some x-wing/starfury thirst, and Ana defends Claudia Christian's Honor.

In which we change up our intro and discuss oaths of office. In "No Compromises," we trade out a fiery brunette and a British man for the budget versions of each, and talk about how not to introduce a new character. Ana also immolates a man alive with a burn. In "The Long Night of Londo Mollari," we discuss what happens when your tarot deck starts bleeding jelly, the sci-fi trope of people playing other characters, and the ergonomics of minbari beds.

Connect with the show at @babylonpodject

Help us keep the lights on via our Patreon!

Justen can be found at @justenwrites

Ana can be found at @The_Mianaai, and also made our show art.

Both Ana and Justen can also be found on The Compleat Discography, a Discworld re-read podcast.

Jude Vais can be found at @eremiticjude. His other work can be found at Athrabeth - a Tolkien Podcast and at Garbage of the Five Rings.

"The Voice" of the Babylon Podject is provided by Alyson Grauer, who can be found at @dreamstobecome

Clips from the original show remain copyrighted by Warner Bros, Inc. and are used under the Fair Use doctrine.

Music attribution:

The Descent by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/4490-the-descent
License: http://creativecommons.org/licenses/by/4.0/

This show is edited and produced by Aaron Olson, who can be found at @urizenxvii

A totally normal episode, we swear.

Connect with the show at @babylonpodject

Help us keep the lights on via our Patreon!

Justen can be found at @justenwrites

Ana can be found at @The_Mianaai, and also made our show art.

Both Ana and Justen can also be found on The Compleat Discography, a Discworld re-read podcast.

Jude Vais can be found at @eremiticjude. His other work can be found at Athrabeth - a Tolkien Podcast and at Garbage of the Five Rings.

"The Voice" of the Babylon Podject is provided by Alyson Grauer, who can be found at @dreamstobecome

Additional voices for this episode provided by James Malloy, and the cast of Breathing Space, Fading Frontier, and you should go listen to that show right now.

Music attribution:

Arne Parrot

This show is edited and produced by Aaron Olson, who can be found at @urizenxvii

In which we finish Season 4 with "The Deconstruction of Falling Stars", which is a weird episode. We discuss the remnants of Clark's regime, the far future of Babylon 5, and historical analysis and revision. Also, we answer your questions for our fiftieth episode!

This episode is dedicated to all who gave BabPod a low rating. Idiocy manages.

Connect with the show at @babylonpodject

Help us keep the lights on via our Patreon!

Justen can be found at @justenwrites

Ana can be found at @The_Mianaai, and also made our show art.

Both Ana and Justen can also be found on The Compleat Discography, a Discworld re-read podcast.

Jude Vais can be found at @eremiticjude. His other work can be found at Athrabeth - a Tolkien Podcast and at Garbage of the Five Rings.

"The Voice" of the Babylon Podject is provided by Alyson Grauer, who can be found at @dreamstobecome

Clips from the original show remain copyrighted by Warner Bros, Inc. and are used under the Fair Use doctrine.

Music attribution:

The Descent by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/4490-the-descent
License: http://creativecommons.org/licenses/by/4.0/

This show is edited and produced by Aaron Olson, who can be found at @urizenxvii

Oh, hey, is something ringing? Because we called it. In which JUSTEN IS VINDICATED, we talk about the Interstellar Alliance, and we discuss "Rising Star."

Connect with the show at @babylonpodject

Help us keep the lights on via our Patreon!

Justen can be found at @justenwrites

Ana can be found at @The_Mianaai, and also made our show art.

Both Ana and Justen can also be found on The Compleat Discography, a Discworld re-read podcast.

Jude Vais can be found at @eremiticjude. His other work can be found at Athrabeth - a Tolkien Podcast and at Garbage of the Five Rings.

"The Voice" of the Babylon Podject is provided by Alyson Grauer, who can be found at @dreamstobecome

Clips from the original show remain copyrighted by Warner Bros, Inc. and are used under the Fair Use doctrine.

Music attribution:

The Descent by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/4490-the-descent
License: http://creativecommons.org/licenses/by/4.0/

This show is edited and produced by Aaron Olson, who can be found at @urizenxvii

We cover episode 4.20, and are as adult about it as you expect. We get the return of war crimes discussion (air horns), the guilt of collaborators, and the end of the Earth civil war. We also get sad about Marcus and talk about a bounty of guest actors.

Connect with the show at @babylonpodject

Help us keep the lights on via our Patreon!

Justen can be found at @justenwrites

Ana can be found at @The_Mianaai, and also made our show art.

Both Ana and Justen can also be found on The Compleat Discography, a Discworld re-read podcast.

Jude Vais can be found at @eremiticjude. His other work can be found at Athrabeth - a Tolkien Podcast and at Garbage of the Five Rings.

"The Voice" of the Babylon Podject is provided by Alyson Grauer, who can be found at @dreamstobecome

Clips from the original show remain copyrighted by Warner Bros, Inc. and are used under the Fair Use doctrine.

Music attribution:

The Descent by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/4490-the-descent
License: http://creativecommons.org/licenses/by/4.0/

This show is edited and produced by Aaron Olson, who can be found at @urizenxvii

CW for discussion of end-of-life issues and impact on caregivers. In which we distinguish between "saddest" and "most emotionally devastating" TV moments. "Between the Darkness and the Light" features Lennier showing his snarky side, comparisons of Londo to Uncle Iroh in terms of redemption arc quantity, and the cast wondering if saying "Bester" three times while facing a mirror fixes plot holes. More seriously, Garibaldi is incredibly lucky that he found Franklin; Ivanova, Number One, and Lyta are all stone-cold badasses; and we discuss the creative decision to have President Clark appear so rarely on camera.

Connect with the show at @babylonpodject

Help us keep the lights on via our Patreon!

Justen can be found at @justenwrites

Ana can be found at @The_Mianaai, and also made our show art.

Both Ana and Justen can also be found on The Compleat Discography, a Discworld re-read podcast.

Jude Vais can be found at @eremiticjude. His other work can be found at Athrabeth - a Tolkien Podcast and at Garbage of the Five Rings.

"The Voice" of the Babylon Podject is provided by Alyson Grauer, who can be found at @dreamstobecome

Clips from the original show remain copyrighted by Warner Bros, Inc. and are used under the Fair Use doctrine.

Music attribution:

The Descent by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/4490-the-descent
License: http://creativecommons.org/licenses/by/4.0/

This show is edited and produced by Aaron Olson, who can be found at @urizenxvii

Content Warnings: Intersections is focused around a detailed torture sequence, and includes discussion of such.

In which we find out the Judas price of our hosts. In "The Face of the Enemy," Garibaldi sells out Sheridan, we FINALLY get the payoff of Garibaldi being an asshole, and Jude and Justen lose it over JMS writing an X-Men plot. Then, in Intersections in Real Time, we get Wayne Alexander (again!), an episode with just one set, and we have to unfortunately compare this to a Star Trek episode.

Connect with the show at @babylonpodject

Help us keep the lights on via our Patreon!

Justen can be found at @justenwrites

Ana can be found at @The_Mianaai, and also made our show art.

Both Ana and Justen can also be found on The Compleat Discography, a Discworld re-read podcast.

Jude Vais can be found at @eremiticjude. His other work can be found at Athrabeth - a Tolkien Podcast and at Garbage of the Five Rings.

"The Voice" of the Babylon Podject is provided by Alyson Grauer, who can be found at @dreamstobecome

Clips from the original show remain copyrighted by Warner Bros, Inc. and are used under the Fair Use doctrine.

Music attribution:

The Descent by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/4490-the-descent
License: http://creativecommons.org/licenses/by/4.0/

This show is edited and produced by Aaron Olson, who can be found at @urizenxvii